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In 1991, Metallica released their fifth studio album that was self-titled Metallica. Then they started to change their sound a bit. Their fourth studio album …And Justice for All was still considered thrash metal but was also categorized as progressive metal. Three songs from these albums are Metallica’s most-performed songs ever: Seek & Destroy, Creeping Death, and Master of Puppets.
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Metallica’s first three albums, Kill ‘Em All, Ride the Lightning, and Master of Puppets, were all solely in the thrash metal genre. Thrash-metal falls under the heavy metal rock genre and is known for using really fast tempos and aggressive playing of the instruments. They were actually known as one of the big four thrash metal bands in the world. When Metallica was formed in 1981, they made a name for themselves as a thrash-metal band. You can read more below about Metallica’s style before ‘Nothing Else Matters,’ the release of their fifth studio album, and how they changed their sound after. While many fans seemed split about the song at the time, it ended up being one of Metallica’s most famous songs. The song was a big departure from their previous playing style of thrash-metal towards more heavy metal. Metallica’s song ‘Nothing Else Matters’ is not about a single person, rather it is about James Hetfield missing home while on the road. It really seems to come from the heart and when it was released it didn’t sound like any of their other songs, is it about someone though? The Metallica Blacklist is fantastic for cherry-picking tracks from your favorite artists or listening in on the more outlandish interpretations of metal classics, but taken as a whole, it's daunting to the point of making even the highlights difficult to appreciate.‘Nothing Else Matters’ is one of Metallica’s most famous songs and is still popular today. Goodnight, Texas' woodsy version of "Of Wolf and Man" and Rodrigo y Gabriela's precision acoustic instrumental take on "The Struggle Within" are the only songs on the collection not covered by any other artists. For this reason, the least-covered songs on The Metallica Blacklist stand out. Listening to all the versions of a single song in succession, let alone the entire compilation, requires a level of commitment probably beyond even the most devoted fanatics. The singles and better-known tracks were chosen most often, meaning the collection has six versions of "Enter Sandman," seven takes each on both "The Unforgiven" and "Sad But True," and a staggering 12 versions of "Nothing Else Matters" by everyone from Miley Cyrus (appearing along with Yo-Yo Ma, Elton John, and other friends) to My Morning Jacket to TRESOR to Darius Rucker and more. The design flaw in The Metallica Blacklist is the arrangement of the track listing, sequencing the cover songs in the original running order of the album. Vincent's hard-edged electro-rock version of "Sad But True" stand out), drum-n-bass remixes, and many, many other stylistic variations. The 53 different interpretations of Black Album tracks include faithful metal renditions ( White Reaper's chugging take on "Sad But True" is especially true to form), spiritual jazz ( Kamasi Washington's spacy grooves on "My Friend Misery"), indie rock reworkings ( Phoebe Bridgers' especially delicate reading of "Nothing Else Matters" and St. The Metallica Blacklist is an ambitious tribute to Metallica's best-loved material, collecting four hours of a wide range of artists covering the songs that made up the album. The 12-song record represented a significant change in style for the band, from heady thrash to more commercially digestible forms of metal, and over the years it became one of the best-selling albums of all time. In 1991, Metallica crashed into the mainstream with their fifth, self-titled album, sometimes known as The Black Album due to its sparse black album cover.